Grass Roots Art and Community Effort

Grass Roots Art and Community Effort

  • Email
  • Facebook

Donate

  • Home
  • News & Events
  • About Us
    • Exhibitions
    • Workshops
    • Board of Directors
    • Meet Our Staff
    • Contact
  • Adult Studio Art Classes
    • Fall 2020
    • Class Archive
      • Spring 2020 Studio Classes
      • Winter 2020 Studio Classes
      • Fall 2019 Instructional Classes
      • Spring & Summer 2019
      • Winter 2019
    • Registration Form
  • Virtual Art
    • GRACE Community Pandemic Art Exhibit
    • Beginning Rug Hooking with Stephanie Allen-Krauss
    • Virtual Art Prompts
    • Kids Virtual Programming
    • VIRTUAL Thursday Community Workshop
    • Free Family Art Workshops
  • Collections
    • Gayleen Aiken
    • Dot Kibbee
    • David Matthews
    • Merrill Densmore
    • James Nace
    • Patrick Brooks
    • Larry Bissonette
  • Donate
You are here: Home / Workshops

Workshops

We are now accepting new workshop contracts!

GRACEworkshop

Current GRACE Community Workshops

 

FREE FAMILY ART WORKSHOPS

Explore lots of art materials including paints, watercolor, markers, three-dimensional projects and more!

  • Come for all of part of the workshop
  • No art experience necessary
  • All ages welcome
  • All children must be accompanied by an adult

All locations: 10am – 12pm


Hardwick: 2nd & 4th TUESDAY @ GRACE’s Old Firehouse

GRACE: 59 Mill Street, Hardwick

1/14/20, 1/28/20, 2/11/20, 2/25/20, 3/10/20 & 3/24/20

 

 

 

 


Morrisville: 2nd & 4th MONDAY @ River Arts

River Arts: 74 Pleasant St., Morrisville

1/13/20, 1/27/20, 2/10/20, 2/24/20, 3/9/20 & 3/23/20

 

 


Stowe: 1st & 3rd TUESDAY @ Helen Day Art Center

Helen Day: 90 Pond St, Stowe

1/7/20, 1/21/20, 2/4/20, 2/25/20, 3/3/20 & 3/17/20

 

 

This project is sponsored by GRACE in partnership with The Lamoille Housing Partnership, River Arts & The Helen Day Art Center


THURSDAY COMMUNITY WORKSHOP

1st & 3rd Thursdays (except major holidays)
1:00 – 3:00 pm
Suggested $5 donation

  • At The Old Firehouse in Hardwick across from the post office
  • Come for all or part of the workshop
  • No art experience necessary
  • All ages welcome
  • All children must be accompanied by an adult

TUESDAY & 2nd & 4th THURSDAY OPEN-STUDIO

Every Tuesday (except major holidays)
1:00 – 3:30 pm
Suggested $5 donation

  • At The Old Firehouse in Hardwick across from the post office
  • Come for all or part of the time
  • This is an open studio time, so there is no workshop leader present
  • No art experience necessary
  • All ages welcome
  • All children must be accompanied by an adult

Call or email with any questions! 472-6857 kathryn.graceart@gmail.com


Experiencing GRACE: The Workshop Program

 Beyond Expectations

As we attempt to share the qualities of a GRACE workshop we’d like to begin with this warning: this is not a methodology to be studied and applied dogmatically. Helping anyone to realize creative potential is a delicate process. Workshop facilitators rely on personal experiences, sensibilities and interests of workshop participants. The relationship is of one artist helping another artist, and the distinction of who is helping who more often than not quickly dissolves into a reciprocal relationship, each learning from the other.

The interaction between each facilitator and participant is unique and is severely impeded if allowed to fall into categorized assumptions. It requires the facilitator to be alert, open to all possibilities and impulses and attuned to the individual. A facilitator approaches each individual with no expectations, alert to new territory and ready to take direction from the participant.

Freedom to Choose

Each workshop is unique. Each has a personality of its own that is flavored by the many variables that form it – part
icipants, facilitators, staff, administration, physical setting, season, weather, phase of the moon, etc. As the variables constantly change, so too, the personality of the workshop changes. From week to week, year to year, there is an ebb and flow to any workshop. The facilitator must learn to meet each workshop with no expectations and to work with what presents itself that day.

The workshop is an open studio. Each participant dictates how he or she will work; the facilitator does not come with IMG_2032preconceived projects. The workshops are held on site. The facilitator travels to where people are – a nursing home, day center, meal-site, housing complex, or private home.  Workshops function best if they are consistent and regular. Weekly workshops each and every week, same time, same place, work best. Each workshop lasts approximately two hours with an open studio style: participants are free to come to all or part of the session. Not everyone works for the full two hours, although some do. Not everyone starts at the beginning or finishes at the end of the session. Participants work at their own pace and inclination. They are in control of how they work and what they make. Opportunities for choice are inherent in the workshop format: choice of materials and how they will be used, when to begin and end, where to sit (alone or with others), what to create or whether to create at all.

GRACE Supplies

All workshop sites are provided with art materials of a good “student grade” quality. Workshop materials generally include a variety of papers, drawing and painting materials, and clay. If an individual shows an inclination towards other media or ways of working, then GRACE supplies them.

Creativity’s Midwives

Facilitators are crucial to the workshops, and the title “facilitator” has been carefully chosen. We deliberately avoid titles such as “leader” or “teacher.” We do not teach; methods and techniques are purposely not presented in a formal way. Participants learn from the materials by working with them. We set out art materials, distribute them, and help participants get started. Once they are working, we step back and leave them to their work, carefully guarding that sacred space of an artist totally engaging in making art. If a pIMG_2057articipant stops working or is experiencing difficulty we gently intercede to help get the hand working again. We follow leads from the participant; our guidance has the participant as its source.

This doesn’t mean the facilitator offers no help at all. If a person is attempting something in one medium and the facilitator feels he or she may have better success with another and especially if the participant appears frustrated, the facilitator might offer suggestions. Then again, the facilitator might let the struggle continue a bit, in hopes that the participant will devise a surprising solution. If showing someone a technique or two to help the creative process, then it is done. Any suggestion or intercession is open-ended, allowing for a variety of possibilities. The fundamental role of a facilitator is to guide the participant to independence as an artist. Too much intervention, too much suggestion, too much directing makes a participant depend on the facilitator for every move and for approval. When to help?When not to help? How to help? There are no set answers or formulas.

To Get the Hand Working

The most difficult and crucial role a facilitator takes onis helping people get started, that means helping them get beyond “I can’t.” Many of the people that we work with initially exclude themselves from the possibility of taking up art making or calling themselves artists. There are as many variations of “I can’t” as there are individuals. They key to this passage is to get the hand working, bypassing the mind that insists “I can’t.” Whatever it takes to do this is allow
ed. Again, the facilitator relies on sensibility and intuition, channeling those into the interaction with the person he or she is trying to help.

It is important that the participant know and trust the facilitator, and that the workshop be a supportive, safe place. If a person is reluctant to begin but showscuriosity and interest, it is best to just let him or her observe others working. The facilitator’s role at this point is to be a good listener, getting to know the person and building familiarity and trust. By observing others at work, a new workshop participant comes to see many different possibilities for art making.

Being with others who are already working helps newcomers give themselves permission to try. Eventually the new participant takes up the challenge. This is the most delicate time for both facilitator and participant. A person IMG_2058will often engage in the creative process rather than retreat. The facilitator must be aware of the participant’s struggle. The initial “I can’t” is usually followed by “it didn’t come out right, I don’t like it.” Honest discussion, support and encouragement are vital to getting the participant through this vulnerable time. If the participant does make it through this passage, the facilitator’s touch is lighter, gently pushing the participant to develop ideas and a way of working. This, too, takes time, but when the participants come into their own as artists, the facilitator becomes a friend and colleague, there to assist in setting up and getting to work, then attentively guarding their space so they can work uninterrupted.

Tapping the Source

It is a facilitator’s delight to watch people in the focused meditative state of art making, oblivious to everything around them, and to their own aches, pains and worries. Once in a great while, all the participants in a workshop work this way. The work room becomes totally silent but vibrantly charged. A powerful ritual is being enacted, and a source is being tapped. As always, the key to helping people tap this source, whether they are fully cognizant or confused with dementia, is to get the hand working.


Our Community Partners

gmss

93730-large_stjohnsbury_logo

Recent News & Events

  • Win a Concept 2 Rower!
  • GRACE Community Pandemic Art Exhibit
  • Winter 2020 Instructional Classes
  • Fall 2019 Instructional Classes
  • RSVP for the 2019 annual GRACE Summer Benefit

Collections

  • Gayleen Aiken
  • Merrill Densmore
  • Dot Kibbee
  • David Matthews
  • James Nace
  • Patrick Brooks
  • Larry Bissonette

Learn more about GRACE

Support GRACE

Please support GRACE by making a tax deductible donation today.

Donate

Rural ARTS Collaborative, Inc

News & Events

  • Win a Concept 2 Rower!
  • GRACE Community Pandemic Art Exhibit
  • Winter 2020 Instructional Classes
  • Fall 2019 Instructional Classes
  • RSVP for the 2019 annual GRACE Summer Benefit

Workshops

We are now accepting new workshop contracts!
Read More »

Programs & Hours

October 2020, we are open 3 days a week, Monday 10am – 3pm, Wednesday 10am – 12:30pm and Thursday 10am-3pm
Read More »

Donate

Donate

Contact Us

PO Box 960,
59 Mill St Hardwick, VT 05843
Phone: 802-472-6857
Fax: 802-472-9578
Email Us »

Copyright © 2021 · Outreach Pro on Genesis Framework · WordPress · Log in